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Patachitra
an integral part of our intangible heritage which bears an essence of folk & traditional media
The three original formats of painting a patachitra from Purulia, Bankura, Birbhum and West Mednipur are-
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Jadano pat or the scroll - showing episodes in sequence in a vertically placed manner - all illustrated along the picture frame one above the other. Usually there are 10 to 15 frames in all.
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The Arelatai pat - here the picture frames are horizontal in nature - bound at both ends by two wooden sticks to enable the patua (the painter cum singer) to unroll the pat as s/he gradually displays it in front of an audience. This usually contain 6 to 8 frames.
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The Choukosh pat or the square pat is a single sheet of rectangular paper which is commonly used to eulogise a deity or an incident.
![]() Jorano pat or the scroll- showing episode sequences in a vertically placed manner | ![]() The Arelatai pat- here the picture frames are horizontal in nature- bound in two ends by two wooden sticks. |
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![]() the Choukosh pat or the square pat is a single sheet of rectangular paper |
Classification
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